Lexicon PCM96 - Manual (Page 53)

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there may be one or more reflection delays for each input channel. Some of
the delays may mix their outputs to the same channel (left to left) and some
may go cross-channel (left to right).
Reflection Gain (Level)
Each Reflection Delay voice also has a gain value. This gain is controlled by
the Reflection Gain parameter.
Resonance
This parameter determines at which frequency the delay voice resonates.
Resonance Detune Master
Controls detuning of all voices in the algorithm. Each voice has its nominal
detune. adjusted by this percentage. Includes a built-in ducker that attenu-
ates the delay output whenever signal is present at the input. This can be
used to keep the original signal from being muddied up by delay repeats.
Resonance Filter Master
Controls all voices in the algorithm. Each voice’s resonator has its nominal
cutoff frequency adjusted by this percentage.
Resonance Master
Controls all voices in the algorithm. Each voice has its nominal resonance
adjusted by this percentage.
Resonance Tuning Master
Affects all voices in the algorithm. Each voice has its nominal resonance
adjusted by this value. In the musical world, the tuning reference is A=440.
This means that the note A (above middle C) is equivalent to 440 Hz.
Changing the master tuning causes all notes to be sharp or flat.
Resonator Detune
This parameter acts as an adjustment to the specified frequency for the
voice’s resonator. The calculation of cents yields a ratio which is used to
modify the specified frequency of the voice. This parameter is modified by
the Master Detune parameter.
Resonator Filter Freq
This parameter controls a lowpass filter inside the resonator.
Resonator Frequency
This parameter determines at which frequency the delay voice resonates. The
action of this parameter is determined by the state of the Resonance Mode
parameter. When a frequency is calculated for this parameter, it must then
be affected by the value of the Master Tuning parameter.
Reverb PreDelay (Predelay)
This is a delay that’s added to the diffused signal before it enters the main
part of the reverb. For all intents, it may be considered as delay that is added
to the reverberated signal. It is used to temporally separate the reverb from
the dry signal.