Functions in detail – Aphex 188 Eight Channel Mic Preamp User Manual

Page 16

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188

4. Functions in Detail

Channel Select and Channel Status Readout

Use the encoder to select the channel. Only one channel can be selected at a time.

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displaying the input setting. While setting the gain you may want to scroll back to the Meter

Screen. The vertical 12 segment meter indicates the available peak headroom measured in dB

(4dB increments). To indicate that functions (Polarity Reverse, Low Cut 75Hz, 26dB PAD, and

Phantom +48V) have been engaged, there is a check mark. If the funciton is not selected, there

will be a dash.

8

Input Gain Control

The input gain is the actual gain of the front-end preamp section. Use Input Gain to bring the

microphone’s signal level up to the appropriate range as indicated on the channel’s Headroom

Meter. The available range of control is from +26dB to +65dB in 1dB stops (not “steps”) with

individual precision within +/- 0.08dB.
NOTE: The gain does not move in 1dB steps. It ramps in small increments (1/20dB steps)

between 1dB “stops” to eliminate all gain adjustment glitches.
This brings us to making a comment about gain steps. While there are several remote controlled

preamps on the market, the problem is that they have stepped gain control and the step size

can be as large as 10dB. Even a 3dB step, up or down, in a microphone preamp will cause an

audible click or pop when it is changed. The Aphex 1788A and the 188 use different but equally

effective circuitry to eliminate pops and clicks and zipper noise. This is especially appreciable

when you have to roll through a gain change of 6dB or more very quickly. The 1788A and the

188 just sound like a fader was moved with no jumps, pops or zips. Both preamps roll through

the full span of 26 to 65dB in 250 milliseconds. A single 1dB stop is completed in less than 15

milliseconds. In other words, the smooth gain control is also fast and responsive.

Polarity Reverse

The POLARITY REVERSE reverses the microphone preamp’s output polarity. This can be a

very useful feature in tracking down polarity differences in microphones and/or cables. It is

Page 16

Aphex Model 188

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