Features include – Fender Acoustasonic 150 User Manual

Page 6

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6

Front Panel

Acoustasonic™ 150 / 100

Features include:

• Strong, lightweight 5-ply hardwood construction
• New ultra-efficient stereo power amp produces 150 Watts (2 X 75W;

Acoustasonic 150 only)

• New ultra-efficient power amp produces 100 Watts (Acoustasonic 100 only)
• 8” cloth-surround low-frequency driver(s) and a high-frequency Tweeter
• Separate Instrument and Microphone channels with independent EQ and effects

controls

• Voicing control lets any guitar simulate the tonality of Parlor, Dreadnought, or

Jumbo acoustics

• Blackface, Tweed, and British amp models are perfect for the acoustic player who

doubles on electric guitar

• Voicing can be turned off for PURE AMP output response
• Specially optimized effects include Reverb, Delay, Chorus, Vibratone, and more

• New Feedback Elimination with on/off switch on each channel
• Patented String Dynamics™ control tames harsh treble notes
• Professional XLR line out with level control and ground lift
• Stereo effects loop (Acoustasonic 150 only)
• Tilt-back legs for tilt-back sound projection (Acoustasonic 150 only)
• Integral kick stand for tilt-back sound projection (Acoustasonic 100 only)
• USB connector for digital recording output (and possible future firmware updates)
• Optional 2-button FX Select footswitch available (P/N 0064673000)
• 5-Year Transferable Warranty (US and Canada, other territories may vary)

The World's Most Popular Instrument Amplifiers...

Since 1946

A . INPUT  —  

Plug your instrument in here.

B . VOLUME —  Adjusts the volume level of the Instrument channel.
C . AUTOMATIC FEEDBACK ELIMINATION (AFE) —  A feedback sup-

pression algorithm that can be used to target and suppress feed-

back frequencies automatically. AFE can be used in two modes,

basic and advanced.

For Automatic Feedback Elimination (Basic Mode):
1 .

Press the AFE button and a "notch filter" will be activated which will

reduce feedback in the most common frequency ranges. The LED

will illuminate red while the AFE circuit is active.

2 .

Press the AFE button again to disable basic mode.

Advanced AFE mode is more sophisticated and can be trained to

target and eliminate specific troublesome feedback frequencies.

To train Automatic Feedback Elimination (Advanced Mode):
1 .

Start with the AFE circuit off.

2 .

Press and HOLD the AFE button for one second until the AFE LED turns

green to initiate the AFE training period.

3 .

The AFE training period lasts for 4 seconds. Allow your guitar or

microphone to feed back during this period. Typically, you do not need

to play your guitar (or sing) during the training period, but if you can

induce the frequency that is giving you particular trouble, your results

may be improved! Wear hearing protection.

4 .

When the LED turns red, AFE training is complete. At this point you can

repeat steps 1-3 to retrain the feedback frequencies for AFE advanced

mode, if desired.

5 .

You can now turn the AFE advanced mode on-off by pressing the AFE

button. The amplifier will remember your trained frequencies until you

turn the amp off.

D . TREBLE / MIDDLE / BASS —  Adjusts the tonal character of the

Instrument channel.

E . VOICING —  Selects the "voicing" of the Instrument channel.

Pure Amp

Simple Acoustasonic amp without any voicing modification.

Parlor 1–4

Four Parlor settings, with various tonal variations, make any acoustic

guitar sound more like a parlor guitar.

Dreadnought

1–4

Four Dreadnought settings, with various tonal variations, make any

acoustic guitar sound more like a dreadnought guitar.

Jumbo 1–4

Four Jumbo settings, with various tonal variations, make any acoustic

guitar sound more like a jumbo guitar.

British

British amp model for an electric guitar.

Tweed

Tweed amp model for an electric guitar.

Blackface®

Blackface amp model for an electric guitar.

F .

STRING DYNAMICS™ / COMPRESSOR —  When an acoustic ampli-

fier VOICING {E} is selected (Pure  Amp,  Parlor,  Dreadnought or

Jumbo), this knob becomes STRING DYNAMICS, a patented tone

shaping filter for the Instrument channel. Rotating clockwise reduc-

es the high-frequency harshness often heard at peak playing inten-

sities and high volume levels, while maintaining crispness at lower

playing levels.

When an electric amplifier VOICING {E} is selected (British,  Tweed

or Blackface), this knob becomes a COMPRESSOR. Rotate clockwise

to increase compression to limit high volume spikes and boost low

volume sustain.

G . FX SELECT —  Selects one of 16 effects for the Instrument channel

(see "Effects" section on next page).

H . FX LEVEL —  Adjusts the level of effects for the Instrument channel.
I .

INPUT — 

Plug your microphone, or

instrument in

here. Phantom power (+15VDC) is supplied to the XLR (microphone)

jack.

J .

VOLUME —  Adjusts the volume level of the Mic/Inst channel.

K . AUTOMATIC FEEDBACK ELIMINATION —  Can be used to tar-

get and suppress feedback automatically for the Mic/Inst chan-

nel. (see step-by-step instructions under AUTOMATIC FEEDBACK

ELIMINATION {C}.

L . TREBLE / BASS —  Adjusts the tonal character of the Mic/Inst chan-

nel.

M . FX SELECT —  Selects one of 16 effects for the Mic/Inst channel (see

"Effects" section on next page).

N . FX LEVEL —  Adjusts the level of effects for the Mic/Inst channel.
O . MUTE —  Press in to disable all audio output from the amplifier.
P .

POWER INDICATOR —  Illuminates when the unit is on.

FEEDBACK

ELIMINATION

MUTE

FEEDBACK

ELIMINATION

PHANTOM EQUIPPED

VOLUME

TREBLE

MIDDLE

BASS

STRING

DYNAMICS

INSTRUMENT

FX LEVEL

VOLUME

TREBLE

BASS

POWER

MIC / INST

FX LEVEL

FX SELECT

FX SELECT

VOICING

HALL

ROOM

VIBRATONE

CHORUS

PLATE

DELAY

REVERB

+CH

CHORUS

+DLY

REVERB

+DLY

HALL

ROOM

VIBRATONE

CHORUS

PLATE

DELAY

REVERB

+CH

CHORUS

+DLY

REVERB

+DLY

ELECTRIC

ACOUSTIC

BLACKFACE

BRITISH

TWEED

PURE AMP

PARLOR

DREADNOUGHT

JUMBO

COMPRESSOR

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