Page 10 – Mesa/Boogie M 2000 User Manual

Page 15

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BALANCED OUTPUT / BALANCED LEVEL

(Continued)

Balanced Output XLR jack. Basically,
this means that your instrument is

going directly into the console with no alteration from the

M-2000. Sometimes this is preferred when

playing venues with large sound systems that have plenty of low frequency
power of their own and don't always need the added shaping that is happening
on the stage.

The BALANCED LEVEL control enables you to match the optimum levels
required by most mixing consoles. It is always good practice to "zero out" the
level on the

M-2000 before connecting it to a console, just in case the channel

at the console was last used for a weak signal and is set to extremes.

NOTE It is NOT necessary to connect a speaker load to the

M-2000 when using the BALANCED OUTPUT for recording or

live use. No damage to the amplifier will occur from having no load connected. Simply turn the OUTPUT LEVEL (located in the
center, bottom portion of the Front Panel) to 7:00 (this would be the Off position for this control.)

FOOTSWITCH CONTROL

This 6 pin XLR jack accepts and powers the

M-2000 FOOT

CONTROL unit. It uses a locking type jack so that the foot controller

will not be accidentally removed during a performance. Depress the catch on the plug when removing the
foot controller's cable from the amplifier.

CHANNEL SELECT

FOOT

SWITCH

EXT

FET

MIX MODE

TUBE

TUBE

HI GAIN

TUNER

OUTPUT

BALANCED

LEVEL

RETURN

0%

100%

FOOTSWITCH

FUNCTION ASSIGN

MUTE

GAIN

FOOTSWITCH

PAGE 10

EFFECTS LOOP

The

M-2000 has an advanced way of

dealing with signal processing. You may

choose not only how much of a given effect you wish to blend
with the dry signal, but also which frequencies will receive
processing! The loop is wired in parallel with the direct
signal, ensuring that your tone stays bold and authoritative.

It is comprised of a SEND and a RETURN that appear as a pair of 1/4 inch jacks
forming a bridge between the pre-amp and power sections of the

M-2000.

These are then fed to the crossover circuit, allowing you control of the
frequencies that you wish to apply signal processing to, via the CROSSOVER
rotary control. To either side (and slightly below this rotary control,) you will see
LOW and HIGH. When this control is swept to the left toward the LOW
position, the low frequencies will be the primary ones that receive
processing.

CHANNEL SELECT

TUNER

OUTPUT

BALANCED

LEVEL

FOOT

SWITCH

EXT

FET

MIX MODE

TUBE

TUBE

HI GAIN

FOOTSWITCH

FUNCTION ASSIGN

MUTE

GAIN

FOOTSWITCH

SEND

RETURN

EFFECTS LOOP

CROSSOVER

FX LOOP AUTO

LOW

HIGH

MIX

0%

100%

OFF

ON

TUBE

FET

MIX

MODE

TUNER

OUTPUT

BALANCED

LEVEL

RETURN

0%

100%

CHANNEL SELECT

FOOT

SWITCH

EXT

FET

MIX MODE

TUBE

TUBE

HI GAIN

FOOTSWITCH

FUNCTION ASSIGN

MUTE

GAIN

FOOTSWITCH

NOTE In certain situations a hum or buzz may occur when using the direct BALANCED OUTPUT. This occurs due to different
references (impedance) to ground between the

M-2000 and the console. If this occurs you may want to lift the M-2000 ground

path by either using an XLR Ground Lift Adapter or by simply making a cable with the grounds disconnected. You might also try a
simple A.C. Ground Lift ( 3 to 2 adapter ) on the

M-2000's power cord just to make sure the noise that you are experiencing is

not A.C. Ground related.

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