Yamaha PSR-340 User Manual

Page 57

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57

• Notes in parentheses can
be omitted.

• Playing two same root
keys in the adjacent octaves
produces accompaniment
based only on the root.

• A perfect fifth (1 + 5)
produces accompaniment
based only on the root and
fifth which can be used with
both major and minor
chords.

• The chord fingerings listed
are all in “root” position,
but other inversions can be
used — with the following
exceptions:

m7, m7b5, 6, m6, sus4,
aug, dim7, 7
b5, 6(9),
1+2+5.

• Inversion of the 7sus4 and
m7(11) chords are not
recognized if the notes
shown in parentheses are
omitted.

• The AUTO ACCOMPANI-
MENT will sometimes not
change when related chords
are played in sequence (e.g.
some minor chords followed
by the minor seventh).

• Two-note fingerings will
produce a chord based on
the previously played chord.

Chord Name/[Abbreviation]

Normal Voicing

Major [M]

1 - 3 - 5

Add ninth [(9)]

1 - 2 - 3 - 5

Sixth [6]

1 - (3) - 5 - 6

Sixth ninth [6(9)]

1 - 2 - 3 - (5) - 6

Major seventh [M7]

1 - 3 - (5) - 7 or
1 - (3) - 5 - 7

Major seventh ninth [M7(9)]

1 - 2 - 3 - (5) - 7

Major seventh add sharp eleventh [M7(#11)]

1 - (2) - 3 - #4 - 5 - 7 or
1 - 2 - 3 - #4 - (5) - 7

Flatted fifth [(b5)]

1 - 3 - b5

Major seventh flatted fifth [M7b5]

1 - 3 - b5 - 7

Suspended fourth [sus4]

1 - 4 - 5

Augmented [aug]

1 - 3 - #5

Major seventh augmented [M7aug]

1 - (3) - #5 - 7

Minor [m]

1 - b3 - 5

Minor add ninth [m(9)]

1 - 2 - b3 - 5

Minor sixth [m6]

1 - b3 - 5 - 6

Minor seventh [m7]

1 - b3 - (5) - b7

Minor seventh ninth [m7(9)]

1 - 2 - b3 - (5) - b7

Minor seventh add eleventh [m7(11)]

1 - (2) - b3 - 4 - 5 - (b7)

Minor major seventh [mM7]

1 - b3 - (5) - 7

Minor major seventh ninth [mM7(9)]

1 - 2 - b3 - (5) - 7

Minor seventh flatted fifth [m7b5]

1 - b3 - b5 - b7

Minor major seventh flatted fifth [mM7b5]

1 - b3 - b5 - 7

Diminished [dim]

1 - b3 - b5

Diminished seventh [dim7]

1 - b3 - b5 - 6

Seventh [7]

1 - 3 - (5) - b7 or
1 - (3) - 5 - b7

Seventh flatted ninth [7(b9)]

1 - b2 - 3 - (5) - b7

Seventh add flatted thirteenth [7(b13)]

1 - 3 - 5 - b6 - b7

Seventh ninth [7(9)]

1 - 2 - 3 - (5) - b7

Seventh add sharp eleventh [7(#11)]

1 - (2) - 3 - #4 - 5 - b7 or
1 - 2 - 3 - #4 - (5) - b7

Seventh add thirteenth [7(13)]

1 - 3 - (5) - 6 - b7

Seventh sharp ninth [7(#9)]

1 - #2 - 3 - (5) - b7

Seventh flatted fifth [7b5]

1 - 3 - b5 - b7

Seventh augmented [7aug]

1 - 3 - #5 - b7

Seventh suspended fourth [7sus4]

1 - 4 - (5) - b7

One plus two plus five [1+2+5]

1 - 2 - 5

Chord (C)

Display

C

C

C(9)

C(9)

C6

C6

C6(9)

C6(9)

CM7

CM7

CM7(9)

CM7(9)

CM7(#11)

CM7(#11)

C(b5)

Cb5

CM7b5

CM7b5

Csus4

Csus4

Caug

Caug

CM7aug

CM7aug

Cm

Cm

Cm(9)

Cm(9)

Cm6

Cm6

Cm7

Cm7

Cm7(9)

Cm7(9)

Cm7(11)

Cm7(11)

CmM7

CmM7

CmM7(9)

CmM7(9)

Cm7b5

Cm7b5

CmM7b5

CmM7b5

Cdim

Cdim

Cdim7

Cdim7

C7

C7

C7(b9)

C7(b9)

C7(b13)

C7(b13)

C7(9)

C7(9)

C7(#11)

C7(#11)

C7(13)

C7(13)

C7(#9)

C7(#9)

C7b5

C7b5

C7aug

C7aug

C7sus4

C7sus4

C1+2+5

C

AUTO ACCOMPANIMENT — THE STYLE MODE

55

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