Auto accompaniment, Fngrngmd, F1: the fingered 1 mode – Yamaha PSR-530 User Manual
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Auto Accompaniment
●
F1: The FINGERED 1 Mode
The Fingered 1 mode lets you finger your own chords on the AUTO ACCOMPA-
NIMENT section of the keyboard (i.e. all keys to the left of and including the split-
point key — normally 54) while the PSR-530 supplies appropriately orchestrated
rhythm, bass, and chord accompaniment in the selected style.
The FINGERED 1 mode recognizes the following chords:
F1
FngrngMd
• Notes in parentheses
can be omitted.
• If you play any three
adjacent keys (includ-
ing black keys), the
chord sound will be
cancelled and only
the rhythm instru-
ments will continue
playing (CHORD
CANCEL function).
• Playing a single key
or two same root keys
in the adjacent oc-
taves produces ac-
companiment based
only on the root.
• A perfect fifth (1 + 5)
produces accompani-
ment based only on
the root and fifth
which can be used
with both major and
minor chords.
• The chord fingerings
listed are all in “root”
position, but other in-
versions can be used
— with the following
exceptions:
m7, m7
b
5, 6, m6,
sus4, aug, dim7,
7
b
5, 6(9), m7(11),
1+2+5.
• Inversion of the 7sus4
chord are not recog-
nized if the 5th is
omitted.
• The AUTO ACCOM-
PANIMENT will some-
times not change
when related chords
are played in se-
quence (e.g. some
minor chords followed
by the minor seventh).
• Two-note fingerings
will produce a chord
based on the previ-
ously played chord.
Chord Name/[Abbreviation]
Normal Voicing
Major [M]
1 - 3 - 5
Add ninth [(9)]
1 - 2 - 3 - 5
Sixth [6]
1 - (3) - 5 - 6
Sixth ninth [6(9)]
1 - 2 - 3 - (5) - 6
Major seventh [M7]
1 - 3 - (5) - 7 or
1 - (3) - 5 - 7
Major seventh ninth [M7(9)]
1 - 2 - 3 - (5) - 7
Major seventh add sharp eleventh [M7(
#
11)]
1 - (2) - 3 -
#
4 - 5 - 7 or
1 - 2 - 3 -
#
4 - (5) - 7
Flatted fifth [(
b
5)]
1 - 3 -
b
5
Major seventh flatted fifth [M7
b
5]
1 - 3 -
b
5 - 7
Suspended fourth [sus4]
1 - 4 - 5
Augmented [aug]
1 - 3 -
#
5
Major seventh augmented [M7aug]
1 - (3) -
#
5 - 7
Minor [m]
1 -
b
3 - 5
Minor add ninth [m(9)]
1 - 2 -
b
3 - 5
Minor sixth [m6]
1 -
b
3 - 5 - 6
Minor seventh [m7]
1 -
b
3 - (5) -
b
7
Minor seventh ninth [m7(9)]
1 - 2 -
b
3 - (5) -
b
7
Minor seventh add eleventh [m7(11)]
1 - (2) -
b
3 - 4 - 5 - (
b
7)
Minor major seventh [mM7]
1 -
b
3 - (5) - 7
Minor major seventh ninth [mM7(9)]
1 - 2 -
b
3 - (5) - 7
Minor seventh flatted fifth [m7
b
5]
1 -
b
3 -
b
5 -
b
7
Minor major seventh flatted fifth [mM7
b
5]
1 -
b
3 -
b
5 - 7
Diminished [dim]
1 -
b
3 -
b
5
Diminished seventh [dim7]
1 -
b
3 -
b
5 - 6
Seventh [7]
1 - 3 - (5) -
b
7 or
1 - (3) - 5 -
b
7
Seventh flatted ninth [7(
b
9)]
1 -
b
2 - 3 - (5) -
b
7
Seventh add flatted thirteenth [7(
b
13)]
1 - 3 - 5 -
b
6 -
b
7
Seventh ninth [7(9)]
1 - 2 - 3 - (5) -
b
7
Seventh add sharp eleventh [7(
#
11)]
1 - (2) - 3 -
#
4 - 5 -
b
7 or
1 - 2 - 3 -
#
4 - (5) -
b
7
Seventh add thirteenth [7(13)]
1 - 3 - (5) - 6 -
b
7
Seventh sharp ninth [7(
#
9)]
1 -
#
2 - 3 - (5) -
b
7
Seventh flatted fifth [7
b
5]
1 - 3 -
b
5 -
b
7
Seventh augmented [7aug]
1 - 3 -
#
5 -
b
7
Seventh suspended fourth [7sus4]
1 - 4 - (5) -
b
7
One plus two plus five [1+2+5]
1 - 2 - 5
Chord (C)
Display
C
C
C(9)
C(9)
C6
C6
C6(9)
C6(9)
CM7
CM7
CM7(9)
CM7(9)
CM7(
#
11)
CM7(
#
11)
C(
b
5)
C(
b
5)
CM7
b
5
CM7
b
5
Csus4
Csus4
Caug
Caug
CM7aug
CM7aug
Cm
Cm
Cm(9)
Cm(9)
Cm6
Cm6
Cm7
Cm7
Cm7(9)
Cm7(9)
Cm7(11)
Cm7(11)
CmM7
CmM7
CmM7(9)
CmM7(9)
Cm7
b
5
Cm7
b
5
CmM7
b
5
CmM7
b
5
Cdim
Cdim
Cdim7
Cdim7
C7
C7
C7(
b
9)
C7(
b
9)
C7(
b
13)
C7(
b
13)
C7(9)
C7(9)
C7(
#
11)
C7(
#
11)
C7(13)
C7(13)
C7(
#
9)
C7(
#
9)
C7
b
5
C7
b
5
C7aug
C7aug
C7sus4
C7sus4
C1+2+5
C