LEWITT LCT 540 - Manual (Page 4)

Features
·1-inch dual-system externally biased capsule with an active front and ultra-thin,
gold-layered low-mass diaphragm for superior transient response
·Tailored frequency response for rich and authentic sound onstage or in the studio
·Cardioid polar pattern for effective isolation of the main sound source
·Extremely low self-noise of 8 dB and max SPL of 143 dB for an impressive total
dynamic range of 135 dB providing a maximum of acoustic presence and clarity
·3-position switchable pre-attenuation pad (0 dB, 10 dB, and 20 dB) for handling
extremely high sound pressure levels and 3-position high-pass filter
·Illuminated user interface for quick and easy handling even in dark environments
·Noiseless pushbuttons for quick and easy attenuation and HPF selection
·Clipping history, automatic attenuation and key-lock provide error-free recording
and unparalleled ease of use
·Rugged all-metal construction for reliable performance onstage and in the studio
·Extra-large hexagonal ruthenium-galvanized steel mesh grille provides an open
acoustic environment and prevent unwanted internal reflections
·Immune to electromagnetic interference thanks to transformerless preamplifier circuitry
·Corrosion-resistant gold-plated 3-pin XLR output connector
·Comes in a black carrying case; includes LCT 40 SHx shock mount, LCT 40 Wx windshield
and DTP 40 Lb artificial leather bag
Top applications
·Lead and background vocals
·Acoustic instruments // piano,
guitar, drums, percussion, strings...
·Overhead miking // drums, percussion...
·Ensembles // choral or orchestral
·Room ambiance pick-up // guitar amplifier,
drums...
·Wind instruments // brass and woodwinds...
·Demanding live and studio applications
Features / Top applications
LCT 540
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