Options and additional information, Lm-2 remote active module – general considerations, Control of music source and level via external dc – Cloud Electronics 46-120TMedia User Manual

Page 26: Connecting multiple lm-2s, In-zone sources, In-zone remote control, Using the facility port as an auxiliary zone input

Advertising
background image

46-120 Installation and User Guide V1.2

26

OPTIONS AND ADDITIONAL

INFORMATION

LM-2 remote active module – general

considerations

Cloud LM-2 remote input modules are available in three

form factors, to fit double-gang UK, American or German
DIN-standard electrical back boxes. Back boxes of either
the recessed type or surface-mounting type may be used,
providing they are at least 35 mm deep.
The modules should be connected to the

ZONE 1

FACILITY PORT using screened Cat 5 cable as described

at page 15.

The

OUTPUT connector on the module and

the

ZONE 1 FACILITY PORT on the mixer are both

screened RJ45 sockets.
Great care must be taken when connecting active input
modules; power is derived from the mixer and some wiring
errors may cause failure of the mixer. Please check all wiring

before testing the system.

Connecting multiple LM-2s

It may be desirable to connect local microphones or music
sources at more than one location in Zone 1 (which may be
a large function room, for example). LM-2 input modules may
be “daisy-chained” using their second

LINK RJ45 connectors

to achieve this.
Remember to consider the current drawn by any additional
input modules – see page 32 for details of current
consumption and PSU capability.

In-zone sources

An LM-2 module has an input for a dynamic microphone on
an XLR socket and a stereo line input on both two phono
sockets and a 3-pin 3.5 mm jack socket. The mic and line
inputs have separate level controls and all signals are mixed to
mono for routing to the 46-120.
If multiple LM-2s are “daisy-chained” as described above, the
mono sums from all modules are summed together.
The microphone input may be assigned priority over both
the line inputs and the music source selected for Zone 1 on

the 46-120 by pressing the module’s

MUSIC PRIORITY

button. See the LM-2 Installation Guide for full details of this
feature.
The Facility Port input circuitry includes a Noise Gate to
minimise residual noise when the microphone is not in use or
during gaps in music programme.

In-zone remote control

In addition to the mic and line inputs, LM-2 modules also have
controls for music level and music source selection; these
function in an identical manner to RSL-6 remote control
plates. No connection to the 46-120’s

MUSIC CONTROL

ports is required, all control is via the single screened
Cat 5 cable. However, for the remote controls to operate, it is
necessary to set the

MUSIC CONTROL SRC and/or LVL

buttons (as required) for Zone 1 to REMOTE.
If multiple LM-2s are “daisy-chained”, only one may have its
music controls operative; see the LM-2 Installation Guide for
full details.

Using the Facility Port as an auxiliary

zone input

The Facility Port provides a balanced audio input. If a port
is not connected to an LM-2 remote input module, it may

be used as a direct input to the zone from other equipment
forming part of the system (for example, a permanently
installed DJ mixer which only ever needs to feed its output to
that particular zone).
Wire an external balanced source to the facility port as

shown below:

1

8

7

6

5

4

3

2

1

3

2

BALANCED

OUTPUT (e.g. XLR)

hot (+)

hot
(+)

cold (-)

col

d

(-)

1

8

1

8

1

8

42-120 ZONE 1

FACILITY PORT (RJ45)

An unbalanced source may also be connected; the use of
balancing transformers is recommended.

RL-1 and RSL-6 Series remote

control plates – general

considerations

Cloud RL-1 Series and RSL-6 Series remote control plates

are available in three form factors, two fit single-gang UK or
American electrical back boxes respectively; the third is a
50 x 50 mm “Media” module, suitable for “Euro-module”
mounting frames available in most European countries. Back
boxes of either the recessed type or surface-mounting type
may be used, providing they are at least 25 mm deep.
The plates should be connected to the

MUSIC CONTROL

port of the relevant zone using single- or twin-core screened
cable as described at page 18. The plate terminations are
conventional screw terminals and the

MUSIC CONTROL

port on the mixer is a 3-pin 5 mm-pitch screw terminal connector.
The remote control plates are passive and thus do not draw
any current from the mixer.

Advertising
This manual is related to the following products: