Apple Final Cut Pro 5 User Manual
Page 1830
Index
479
favorite motion effects III-281
filter keyframes III-164
Garbage Matte filters and III-406–III-407
generator clips and III-490
graphs IV-424
keyframe editor. See keyframe editor
keyframe graph ruler III-254
keyframe graphs III-254, III-258, III-261–III-263
looping playback while recording III-94
mixer automation and III-90
mixing levels III-127
modifying III-96–III-97
motion bars and III-285
motion effects and III-217
motion paths and III-272–III-280
moving III-125, III-171, III-259, III-285
MPEG encoders and IV-218
navigating between III-124, III-171, III-260
one-dimensional keyframes III-271
opacity IV-139
origin of III-249
overlays I-125
overlays and III-125, III-171, III-259
parameter settings III-170
recording III-71, III-75, III-90–III-93, III-170
remap keyframes III-316, III-318
setting for clips I-80, I-95
setting for sequences I-80, I-95
settings III-253–III-262
showing or hiding III-193
smoothing with Bezier handles III-268–III-272
still image camera motion effects III-350
subframe keyframes III-128–III-131, III-176
temporal compression and IV-250
time remap keyframes III-328
tools III-255
two-dimensional keyframes III-271
uses for III-249
variable speed changes and III-315
velocity III-278–III-280
in Viewer III-122–III-126
viewing in Timeline I-127
volume levels and III-111, III-114, III-124, III-127–
III-129
Key Frames option IV-250
keying III-385–III-409, IV-424
background issues III-389–III-390
blue or green background III-388, III-389
chroma keying III-388
compression and III-388
described III-385, III-386
lighting and III-389–III-390
luma keying III-388
overview of the process III-391–III-392
using the Chroma Keyer filter III-393–III-395,
III-398–III-402
using the Waveform Monitor III-390
video formats and III-388
keying filters III-208–III-209, III-387
key levels IV-139
Key tracks III-378
key tracks IV-139
L
Label 2 property II-24, IV-37, IV-49
Label property II-24, IV-37, IV-49
labels IV-292, IV-424
audio levels III-60
audiotape III-60
audio tracks I-124
clips II-23–II-26
color-coding II-23, II-212
customizing II-26
defaults II-23
names II-23–II-28
preferences II-24–II-26
reels I-239
sorting clips by II-26
tapes I-240
in Timeline I-119
Labels tab II-26, IV-292
languages I-152
Last Modified property IV-38, IV-50
latency I-218, I-220
layered clips
composite mode settings and III-361
motion settings III-225
positioning III-223
layer masks III-370
layers
See also compositing
imported graphics III-344
multiclip layouts III-225
Photoshop files III-349, III-368, III-369, III-370
layout of video scopes III-425
layouts IV-424
LCRS sound systems III-20
L-cuts IV-424
leader elements IV-194, IV-195
leading III-502
left output channel III-124
length, compared to duration IV-288
length. See duration
Length option IV-274
Length property IV-38
Less search option II-30
letterboxing I-217
letterbox video IV-393, IV-399
level controls III-447, III-456–III-457
Level Keyframe button II-293, III-122